Saura. Brigitte Bardot et autres dames
Antonio Saura, like Picasso, makes of the figure of the woman less a theme of predilection than a field of research. From 1954 on he envisages her as the mother form—the matrix—as a mould out of which form will emerge, as a breast that gives birth to an other image.
- View exhibition
- Venezia 1958
- TEFAF New York Fall
