Bearing Witness to the 1958 Venice Biennale | Luis González Robles
Bearing Witness to the 1958 Venice Biennale Luis González Robles Curator of the Spanish Pavillion at the 29th Venice Biennale[…]
On the 1958 Venice Biennale, Still | María Dolores Jiménez-Blanco
The Spanish Pavilion at the 29th Venice Biennale, the edition held in 1958, has become an inevitable landmark in narratives[…]
Brief Interview with Manel Mayoral, founder of the gallery
Brief Interview with Manel Mayoral, founder of the gallery LLUCIÀ HOMS (LH): Hi Manel; this year the Mayoral family[…]
Letters from Fernando Zóbel to Eduardo Chillida
Letter from Fernando Zóbel of 17 September 1964 in which he expresses his satisfaction with their meeting in Cuenca and[…]
Words and ways about the Eulogy of the Horizon and other public sculptures (1990) | Eduardo Chillida interviewed by Fernando Huici
[…] FH [Fernando Huici]: In any case, from an immediate contemplation of your piece, the illusion is that of a[…]
Memory of Qualities | Patrick D. Flores
Memory of Qualities Epilogue by Patrick D. Flores When Fernando Zóbel turned to abstraction sometime in the fifties, he thought[…]
An interview with Ignacio Chillida Belzunce and Fernando Zóbel de Ayala y Miranda | Alfonso de la Torre
An interview with Ignacio Chillida Belzunce and Fernando Zóbel de Ayala y Miranda by Alfonso de la Torre The[…]
International Conference on Sculpture (August 1988) | Eduardo Chillida
Text of the lecture given by Eduardo Chillida at Trinity College, Dublin (Ireland) – International Conference on Sculpture (August 1988) […]
Conversations with Fernando Zóbel | Rafael Pérez-Madero
Fernando Zóbel interviewed by Rafael Pérez-Madero RPM [Rafael Pérez-Madero]: In going over the critical literature of those days I notice[…]
In painting (1975) | Fernando Zóbel
I believe that each painter paints in relation to what surrounds him, and what has always surrounded me is the[…]