Manolo Millares: Recent Paintings | Excerpt
ART TODAY APPROACHES THE DIVIDING LINE with the imposible. The impossible as an incentive for artistic creation always carries in[…]
La imagen pintada | Antonio Saura
ILLUMINATING THE PRESENT with presences from the past? Reactivating a moment in the past through the memory of the present?[…]
Vocation and form | Antoni Tàpies
IN THE ORIGINS of the artistic vocation we always find the living of strong, vital experience. […] But it is[…]
Modest Cuixart
Modest Cuixart Known forms left me indifferent in the presence of the excitement of the profounder reality I was glimpsing; so[…]
Interview with Rafael Canogar | Emmanuel Guigon
EMMANUEL GUIGON: The Mayoral Gallery has become known in recent years for a programme of “museum” exhibitions devoted, for example,[…]
What is a rebel? | Bea Espejo
What is a rebel? Epilogue by Bea Espejo REBELLION SWEEPS THROUGH THE ART of the last century like an attack[…]
Art of another kind | Michel Tapié
ONCE IT IS ACCEPTED that in art the actuality of a certain period amounts to a few highly individualized general[…]
Before Picasso; After Miró | James Johnson Sweeney
Nonell’s painting is essentially linked to the abstract and non-figurative researches that were to follow it. His work is already[…]
Itineraries of the Spanish Avant-Garde at the Midpoint of Francoism | Tomàs Llorens
Itineraries of the Spanish Avant-Garde at the Midpoint of Francoism Tomàs Llorens In the short decade that begins in the[…]
The Cruel Gaze | Antonio Saura
Sublime Cruelty and the Monstrous I. The monstrous, and cruelty, cease to be so when art transforms them into phenomena[…]