Itineraries of the Spanish Avant-Garde at the Midpoint of Francoism Tomàs Llorens In the short decade that begins in the[…]

Sublime Cruelty and the Monstrous I. The monstrous, and cruelty, cease to be so when art transforms them into phenomena[…]

The work of Antonio Saura is rich in that ambiguity which results from the blending of tradition and the avant-garde,[…]

‘Le surréalisme, c’est moi’ The Surrealist movement was already four years-old when Dalí made his first trip to Paris in[…]

Text by the curator  Summary The exhibition Dau al Brossa highlights the importance of the Catalan poet Joan Brossa in[…]

GUINOVART. THE CONNECTION WITH MIRÓ Josep Guinovart i Bertran (Barcelona, 1927 – 2007) All through his career, Guinovart expressed the[…]

“Prends l’éloquence et tords—lui son cou !… Et tout Ie reste est littérature.” Verlaine, Art Poétique I’ve always been a[…]

Excerpts of Programio (1951) by Antonio Saura To paint pure forms sadistically standing out against the immense black skies of[…]

  Vampapire Julián Ríos Every now and then, from 1964 onwards, Saura ceases to paint on canvas for long periods[…]