SAURA. Brigitte Bardot and other women
Antonio Saura, like Picasso, makes of the figure of the woman less a theme of predilection than a field of[…]
30 Years of a Gallery – Constructing the Story Day by Day
30 Years of a Gallery – Constructing the Story Day by Day A gallery is a dialogue, a conversation, a[…]
New gallery in Paris
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A Conversation between Pere Portabella and Vicenç Altaió
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Bearing Witness to the 1958 Venice Biennale | Luis González Robles
Bearing Witness to the 1958 Venice Biennale Luis González Robles Curator of the Spanish Pavillion at the 29th Venice Biennale[…]
A Conversation between Wilfredo Prieto and Rosa Lleó
A Conversation between Wilfredo Prieto and Rosa Lleó April 2019 Rosa Lleó Mangos, Limes and Flags In 1958, Spain, like[…]
On the 1958 Venice Biennale, Still | María Dolores Jiménez-Blanco
The Spanish Pavilion at the 29th Venice Biennale, the edition held in 1958, has become an inevitable landmark in narratives[…]
Letters from Fernando Zóbel to Eduardo Chillida
Letter from Fernando Zóbel of 17 September 1964 in which he expresses his satisfaction with their meeting in Cuenca and[…]
Words and ways about the Eulogy of the Horizon and other public sculptures (1990) | Eduardo Chillida interviewed by Fernando Huici
[…] FH [Fernando Huici]: In any case, from an immediate contemplation of your piece, the illusion is that of a[…]
Memory of Qualities | Patrick D. Flores
Memory of Qualities Epilogue by Patrick D. Flores When Fernando Zóbel turned to abstraction sometime in the fifties, he thought[…]