SAURA. Brigitte Bardot and other women
by Martine Heredia Antonio Saura, like Picasso, makes of the figure of the woman less a theme of predilection[…]
30 Years of a Gallery – Constructing the Story Day by Day
30 Years of a Gallery – Constructing the Story Day by Day A gallery is a dialogue, a conversation, a[…]
New gallery in Paris
Mayoral to open a gallery in Paris with an Antonio Saura exhibition The gallery will develop curated shows that promote[…]
A Conversation between Pere Portabella and Vicenç Altaió
A Conversation between Pere Portabella and Vicenç Altaió Barcelona, 22 February 2019 Vicenç Altaió Art, Film and Politics in the[…]
Bearing Witness to the 1958 Venice Biennale | Luis González Robles
Bearing Witness to the 1958 Venice Biennale Luis González Robles Curator of the Spanish Pavillion at the 29th Venice Biennale[…]
A Conversation between Wilfredo Prieto and Rosa Lleó
A Conversation between Wilfredo Prieto and Rosa Lleó April 2019 Rosa Lleó Mangos, Limes and Flags In 1958, Spain, like[…]
On the 1958 Venice Biennale, Still | María Dolores Jiménez-Blanco
The Spanish Pavilion at the 29th Venice Biennale, the edition held in 1958, has become an inevitable landmark in narratives[…]
Brief Interview with Manel Mayoral, founder of the gallery
Brief Interview with Manel Mayoral, founder of the gallery LLUCIÀ HOMS (LH): Hi Manel; this year the Mayoral family[…]
Letters from Fernando Zóbel to Eduardo Chillida
Letter from Fernando Zóbel of 17 September 1964 in which he expresses his satisfaction with their meeting in Cuenca and[…]
Words and ways about the Eulogy of the Horizon and other public sculptures (1990) | Eduardo Chillida interviewed by Fernando Huici
[…] FH [Fernando Huici]: In any case, from an immediate contemplation of your piece, the illusion is that of a[…]