Interview with Rafael Canogar | Emmanuel Guigon
EMMANUEL GUIGON: The Mayoral Gallery has become known in recent years for a programme of “museum” exhibitions devoted, for example,[…]
What is a rebel? | Bea Espejo
What is a rebel? Epilogue by Bea Espejo REBELLION SWEEPS THROUGH THE ART of the last century like an attack[…]
Art of another kind | Michel Tapié
ONCE IT IS ACCEPTED that in art the actuality of a certain period amounts to a few highly individualized general[…]
Before Picasso; After Miró | James Johnson Sweeney
Nonell’s painting is essentially linked to the abstract and non-figurative researches that were to follow it. His work is already[…]
Itineraries of the Spanish Avant-Garde at the Midpoint of Francoism | Tomàs Llorens
Itineraries of the Spanish Avant-Garde at the Midpoint of Francoism Tomàs Llorens In the short decade that begins in the[…]
The Cruel Gaze | Antonio Saura
Sublime Cruelty and the Monstrous I. The monstrous, and cruelty, cease to be so when art transforms them into phenomena[…]
Antonio Saura | Michel Tapié
The work of Antonio Saura is rich in that ambiguity which results from the blending of tradition and the avant-garde,[…]
Le surréalisme, c’est moi | Elliott H. King
‘Le surréalisme, c’est moi’ The Surrealist movement was already four years-old when Dalí made his first trip to Paris in[…]
Dau al Brossa | Glòria Bordons
Text by the curator Summary The exhibition Dau al Brossa highlights the importance of the Catalan poet Joan Brossa in[…]
Guinovart. The connection with Miró
GUINOVART. THE CONNECTION WITH MIRÓ Josep Guinovart i Bertran (Barcelona, 1927 – 2007) All through his career, Guinovart expressed the[…]