Chus Martínez sobre Mari Chordà
La pintura es movimiento. Utiliza la mente como si fuese tecnología y el ojo como la interfaz dinámica que dota[…]
«MY LATEST WORK IS A WALL» | Joan Miró
«My latest work is a wall» Joan Miró in DERRIÈRE LE MIROIR (Paris), June – July 1958 In 1955, the directors[…]
Music around Millares
Music around Millares. A conversation between Elena Sorokina and Arturo Tamayo What was Manolo Millares’s relationship to the experimental music[…]
Surrealist women and their connection with Catalonia – Victoria Combalía
Surrealist Women Artists and Their Connections with Catalonia Thankfully, the presence of Surrealist women artists in museums and exhibitions has[…]
Majorca, a place for inspiration | Elvira Cámara
Majorca, a place for inspiration. The geographic locations where Joan Miró lived left a significant mark on his spirit and[…]
“I haven’t painted the war,” said Picasso | Text by Josefina Alix
I was a boarder, too, for a time. I was a kid. The first evening I was very sad about[…]
Miró/Calder – Out of thin air
Colm Toíbín Both Joan Miró and Alexander Calder were interested in the drama between the mind at play and the[…]
JOAN MIRÓ: DREAMING WHILE AWAKE
By Rosa Maria Malet, director of Fundació Joan Miró (Barcelona) The extent to which the strict definition of Surrealism, as[…]
Postwar Art in Spain – Interview with Luis Feito Conducted by Elena Sorokina
Interview with Luis Feito Conducted by Elena Sorokina and Galeria Mayoral. Elena Sorokina: Good afternoon Luis, first of all I’d[…]
ETHICS & AESTHETICS – Professor Robert Lubar Messeri
Ethics & Aesthetics Miró/Artigas by Professor Robert Lubar Messeri I. Ethics “I would like to try my hand at sculpture,[…]
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